Aikibudo Japanese martial arts. AikibudoJapanese martial arts Aikibudo Nagatinskaya
- a modern martial art that has absorbed thousands of years of experience in the fighting traditions of Japan. Aikibudo is subtle and fine art; in its basis, in its expression and in its development, it rests on two inextricably linked elements - tradition and evolution.
Developed by Master Alain Floquet (France), curated in Russia by Sensei Paul-Patrick Armand.
The name consists of four hieroglyphs having the following meanings:
- Ai (Japanese: 合 Ai) - “harmony, unification, love, compassion”;
- Ki (Japanese: 気 Ki) - “life energy, spirit, strength”;
- Boo (Japanese: 武 Bu) - “courage, bravery, belligerence”;
- Before (Japanese: 道 Dō) - “way, road, go.”
More often Aikibudo translated as: “The path of harmonious unification of the warrior’s spirit and vital energy”, “Walking the warrior’s path in harmony with vital energy”, “Cultivating vital energy by combining compassion and warriorhood”, “The spirit of love on the path of the warrior” or “The spirit of compassion on the path of the warrior” "
Classes are conducted by Member of the IFA (Interregional Aikibudo Federation), FIAB (Federation International d’Aikibudo) since 2004, working with children, including those with special needs. Participant of international seminars and trainings held in Russia, Japan, France, Poland Plakhota Mikhail Valerievich.
The Aikibudo technical program is based on the techniques of 3 traditional Japanese budo:
1) Yoseikan - teacher Minoru Mochizuki– student of Jigoro Kano (Kodokan Judo) and Morihei Ueshiba (founder of Aikido).
The technique is based on the ancient principle of jujutsu ‘softness overcomes hardness’, and
‘gentleness’ as a morality that allows the weaker to borrow strength from
A stronger enemy, just as ‘water flows from the top of a mountain to its foot’.
Yoseikan training begins with the basic elements: various options ukemi - insurance for
falls, tehodoki - releases from various grips, which later serve as the basis
for various throws and painful holds, and taisabaki - maneuvering techniques.
countering attacks various types: throws, strikes, painful and suffocating techniques.
First, the techniques are practiced in the tactical version of go no sen - when the enemy’s attack is already
has taken shape, the student defends himself and responds with a counterattack. At the next stage, technology is studied
sen no sen - outpacing the enemy.
2) Katori (Tenshin Shoden Katori Sitno Ryu) – school of fencing and strategy. Created over 600 years
back at Katori Jingu Temple. It has the status of a national cultural property of Japan.
Fencing classes allow you to hone the student’s reflexes, develop a sense of distance and
time, ability to concentrate. This approach to learning allows the follower
schools not only master necessary techniques, but also gradually develop the qualities
necessary to win the battle. In MFA, Katori is studied and practiced according to the school of Sugino Sensei.
3) Daito-ryu Aiki Jujutsu- an ancient military (samurai) tradition, traced back to
11th century (General Minomoto Yoshimitsu - Takeda family), aimed at the most effective
methods of strikes, grips and painful techniques, using knowledge of human anatomy and
impact on pain points(atemi)
Aikibudo techniques and practices are used by special units of the gendarmerie police in France. Both Master Alain Floquet and Sensei Paul-Patrick Armand are former high-ranking police officers. Master Alan Floquet has written several books dedicated to traditional Budo and the use of Aikibudo techniques in self-defense (women, children).
Three higher education, one of which is the Russian State University of Physical Education. : 5th dan Aikibudo, 3rd dan Katori Shinto Ryu. He has been teaching martial arts since 1993. One of the best Aikibudo instructors in our country and beyond.
Aikibudo is a modern martial art that has absorbed thousands of years of experience in the martial traditions of Japan. Aikibudo is a subtle and precise art; in its basis, in its expression and in its development, it rests on two inextricably linked elements - tradition and evolution. Tradition can be considered as the source and historical basis of all modern system classes. The tradition is based on ancient art, the content, form and spirit of which must be preserved unchanged. Evolution is the expression of martial art in development and in connection with real experience and environment.
The history of the creation of Aikibudo is inextricably linked with the name of the outstanding French Budo Master Alain Floquet.
Alan Floquet is one of the best European students of Sensei Minoru Mochizuki. In 1966, Alain Floquet became the technical director of the Yoseikan Aikido school in France. In 1973, he and his students created CERA (Cercle d`Etude de Recherche en Aiki et Kobudo - Circle for the Study and Research of Aiki and Kobudo) to ensure the development of the concept of aikijutsu by Minoru Mochizuki Sensei. In 1978, Minoru Mochizuki, Director of the Aikido Section of the IMAF - International Martial Arts Federation in Tokyo, awarded Teacher Alan Flocka the 7th dan and the degree of Kyoshi, making him his direct representative as an Aikido Teacher in Europe.
(abbreviated as Katori Shinto Ryu). What is curious is that in Alan Flocke’s book “Aikibudo”, this word is used not only as the name of the school, but also very narrowly - as the name of the section of the school of the same name, there is also a wide use - as a synonym for the word Aiki-jutsu - that is, in relation to also to the Daito-ryu school, but not in relation to the aikido schools (with the explanation that although the word aikibudo is often used in France to also refer to aikido, such use of the term is incorrect). At the same time, the French Wikipedia article also interprets this term broadly, referring it not only to the Floquet school, but also to Daito-ryu.
One of the aspects of the school is the development of a technical arsenal for the needs of the army, intelligence services and police.
Contrary to popular belief, the term "boo" does not mean "war" but "a force to maintain peace." Ai - harmony, unification, love, compassion Ki - vital energy, spirit, strength Bu - courage, bravery, belligerence Do - path, road, go Translation options: “The path of harmonious unification of the military spirit and vital energy”, “Follow the military path in harmony with life energy”, “Cultivating life energy by combining compassion and warriorhood”, “The spirit of love on the path of the warrior”, “The spirit of compassion on the path of the warrior”.
The school's section of the same name is based on aikido and aiki-jutsu, and the kobudo section is based on Tenshin Shoden Katori Shinto Ryu, from which kenjutsu (including two-sword fencing), bo-jutsu, naginatajutsu, iaijutsu, so-jutsu and shuriken-jutsu are taken. Alan Floquet's teachers were Sugino Yosho (menkyo kaiden shihan kawazaki Katori Shinto Ryu), Mochizuki Minoru (hanshi, 8-dan Shizuoka Katori Shinto Ryu, menkyo, 10th dan, meijin Yoseikan) and Takeda Munemitsu (3rd Soke and 2- th heir to Daito-ryu), which indicates not only highly qualified his teachers, but also about direct transmission into the traditions of these schools.
The initial basic technique of Aikibudo includes the following sections:
1. Movements ( Tai Sabaki), inputs and disequilibrium.
2. Insurance ( Ukemi).
3. Attack technique - technique of punches (Tsuki Waza) and kicks (Gary Waza); strikes are studied separately and in the form of short katas.
4. Basic exercises(Hojo Undo) - breathing-energy paired exercises, correct work of the body.
5. Technique for releasing grips ( Te Walkers).
6. Throwing technique due to the movement of the partner ( Wa No Seishin- divine energy; somewhat reminiscent Kokyu Nage in Aikido).
7. Basic throwing technique ( Kihon Nage Vase), these are 7 techniques performed by partners in turn from one and the other hand strictly along the line - in the form of a kata.
8. Basic control and hold technique ( Kihon Osae Vase), 6 techniques performed alternately in the form of a pair kata. The partner falls to the floor, a hold is made, which is performed exclusively with the legs, indicating a finishing blow.
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A modern complex martial art created by Alain Floquet (French: Alain Floquet) in 1980 in France on the basis of three Japanese schools: Yoseikan Aikido, Daito-ryu Aiki-jujutsu and Tenshin Shoden Katori Shinto Ryu (abbreviated as Katori Shinto Ryu).
Aikibudo, like its original components, is classified as a “hard” school. Differences from “soft” schools manifest themselves in the form of movements, which in Aikibudo are generally much shorter, simpler and closer to reality.
In France, Aikibudo is effectively used in the army and police. The main hall where Alain Floquet's classes take place in Paris is located in the Police Department and belongs to the Sports Association of the Paris Police (French Association Sportive de la Police de Paris, ASPP)
Etymology
The name consists of four hieroglyphs with the following meanings:
Ay
“harmony, unification, love, compassion”;
Ki
“life energy, spirit, strength”;
Boo
“courage, bravery, belligerence”;
Before
“way, road, go.”
Aikibudo is most often translated as: “The way of harmoniously uniting the martial spirit and vital energy”, “Walking the martial path in harmony with vital energy”, “Cultivating vital energy by combining compassion and belligerence”, “The spirit of love on the path of the warrior” or “The spirit of compassion” on the warrior's path."
Story
Aikibudo was founded on the basis of three schools of martial arts: Yoseikan Aikido, Daito-ryu Aiki-jujutsu and Tenshin Shoden Katori Shinto Ryu.
The Daito-ryu style was created in the 11th century by master Minamoto no Yoshimitsu, an outstanding Japanese military leader. Towards the end of his life, he was appointed governor of Kai Province, where one of his descendants founded the famous Takeda family, which was active in creating various fighting techniques. Its most famous representative was the famous commander Takeda Shingen.
By the end of the 19th century ( last years Edo period) ended the era of bloody wars between clans. At the same time, the process of disarmament of the samurai began. Then Mr. Saigo Tanomo (1830 - 1903), a kannushi (man in charge of maintaining a Shinto shrine) and samurai, decided to teach his techniques to non-members of his clan. One of them was Takeda Sokaku, who returned to the province of Aizu and studied aiki-jutsu techniques from master Tanomo. In 1898, he formalized the entire martial heritage and named it Daito Ryu Jujutsu, later renamed Daito-ryu Aiki-jujutsu, and, due to his outstanding skill, made it widely famous.
From 1920 to 1931, Takeda Sokaku taught his art to Morihei Ueshiba, who by 1942, based on his knowledge of Daito-ryu Aiki-jutsu, jujutsu and ken-jutsu, created a new martial art - Aikido. In 1931, Minoru Mochizuki came to study with Morihei Ueshiba, who later played a huge role in the popularization of aikido in France. In 1951 he was sent to Europe on an official cultural mission. For two and a half years, he introduced Europeans to the art of his teacher and his achievements, calling it “Aikido Jujutsu,” thereby contributing to the development of the largest aikido community outside of Japan. Among his students was the young French judoka Jim Alcheik, who in 1954 followed his teacher to the land of the rising sun and continued his training at the Yoseikan dojo.
In 1958, Jim Alsheik, who returned from Japan, at the request of Minoru Mochizuki, officially demonstrated Yoseikan Aikido in France and founded the French Federation of Aikido, Taijutsu and Kendo (FFATK). Alan Floquet (born in 1938) becomes one of his assistants. In 1962, Jim Alsheik died during the Algerian War of Independence. To ensure the future of aikido jujutsu in France, Alain Floquet contacts Minoru Mochizuki, who sends his son Hiroo to Paris. For two years, Hiroo Mochizuki has been teaching Flocke. In 1966, Alan was appointed technical director of the Yoseikan Aikido school in France. In 1973 he created C.E.R.A. (French: Center International de lAikibudo, “International Aikibudo Center”).
In 1978, master Minoru Mochizuki awarded Alan the 7th dan and the title of Kyoshi, thereby recognizing his significant merits.
In 1980, Alan Floquet resumed relations with the basic school and with the heir of Daito-ryu Aiki-jujutsu Takeda Tokimune, son of Takeda Sokaku. Based on his knowledge, his teaching style and practice in such styles as Yoseikan Aikido, Katori Shinto-ryu and Aiki-jujutsu, Alan, with the full support of Master Mochidzuki, decides to create his own school and calls it “Aikibudo”.
On July 3, 1983, aikibudo merged with aikido to form the French Federation of Aikido, Aikibudo and Analogues as a joint discipline. Since then, thanks to the efforts of master Alan Floquet, this art has continued to develop throughout the world.
Philosophy
Aikibudo is a martial art that incorporates the teachings of ancient Japanese martial arts schools. The philosophy of this combat system, as the name suggests, is a search for the meaning of existence through the method of self-improvement and knowledge based on the comprehension of martial art. Like many other schools of martial arts, Aikibudo applies the principle of Aiki - the unification of energies, the unification of a person’s internal abilities to achieve perfection.
In Aikibudo there are many movements aimed at getting ahead of the enemy, the goal of which is to stop a blow or grab at its first stage, when it has not yet gained maximum power.
Respect for the integrity of the partner is the main principle in the art of Aikibudo.
Both the attacker and the defender are referred to as “partners” rather than “opponents.” While practicing techniques, the participants (attacker - tori, defender - uke) constantly change roles, so in classes there is no such thing as a winner and loser, and, accordingly, there is no competition. However, Aikibudo includes randori (classical sparring), which allows for free sparring to practice techniques, test skills, and develop combat reflexes.
Belts and ranks
Depending on the qualifications of an aikibudoka, he may be awarded a student (kyu) or master's (dan) degree.
There are 6 kyu in total in Aikibudo: the youngest level is 6th kyu, the highest is 1st kyu.
Mostly belts (obi) are used in white and black colors, but there may be differences depending on the country and aikibudo federation. Wearing a black belt and hakama is only allowed to holders of 1st dan and above.
Increasing your rank is possible by passing specialized tests. There is a program of required technical skills for each degree, approved by the International Aikibudo Federation. Some clubs add their own disciplines to the standard requirements. The new degree is assigned by the certification commission conducting the exam. Students who receive a black belt are called Yudansha.
Basic Aikibudo technique includes the following sections:
Etiquette and greetings
Like any other school of oriental martial arts, Aikibudo has its own set of rules and etiquette. Each lesson begins with the following steps:
Sitting position on your heels, command “sit down”;
Shomen ni rei
Bow in the direction of somen (the front part of the dojo, where the portrait of the founder of the school is installed);
Sensei ni rei
Bow to sensei;
Otagai ni ray
Bow to each other;
Kiritsu
"Rise" command.
Hojo undo
Hojo undo - various training exercises. In these exercises, the correct work of the body is practiced in order to beat the partner’s effort due to the correct and timely execution of body movements, without using physical strength. Includes the following elements:
Nigiri Kaeshi
Based on the movement of releasing a wrist grip with both hands (Ryote Ippo Dori) followed by a similar grip of the partner’s hand;
Neji Kaeshi
Includes releasing the elbow lock of the straight arm and moving to a similar lock of the partner’s arm alternately in a repeated mode;
Axis Kaeshi
Releasing from the strong grip of Ryote Dori (grabbing both wrists) due to a powerful push towards the partner, accompanied by a release of energy without interception or with interception of his hands;
Tsuppari
Blocking a powerful push at chest level due to counter movement;
Shinogi
Lead direct blow a fist to the face with the same hand followed by an attack with the same hand.
Thai dogs
Tai sabaki (“body control”) - body movements. This section is divided into two parts: single movements and work with a partner (inputs for unbalancing). In single movements, the sense of balance and the ability to control your center of gravity in motion are mainly developed. When working with a partner, it is necessary to learn, with the help of correct and timely movement of the body, to win the partner’s center of gravity, and due to this, throw him out of balance.
The Tai Sabaki complex in Aikibudo looks like this:
Nagashi
Shifting to the side at 45 degrees to the opponent’s line of attack;
Shift sideways and forward at 45 degrees parallel to the opponent’s line of attack;
O-irimi
Entry with a turn, parallel to the opponent’s line of attack;
Hiraki
Shift by step to the side;
Hickey
Moving backwards from the opponent.
Ukemi
Ukemi - self-belaying techniques. From the very first lesson, aikibudok beginners are taught how to fall correctly before moving on to learning throwing techniques. Basic types of ukemi studied in aikibudo:
Mae ukemi
Roll forward;
Ushiro Ukemi
Back somersault;
Yoko Ukemi
A fall, or somersault, to the side.
Percussion technique
Striking techniques in Aikibudo are studied both as individual techniques of punching and kicking, and in the form of kata (a formalized sequence of movements related to the principles of fighting with an imaginary opponent or group of opponents). Blows can be delivered to different parts of the body, so the following terms are used to determine the direction:
Jodan
Top level ( top part body, face);
Chudan
Middle level (usually the abdominal area);
Gedan
Lower level (usually hip level).
Tsuki vase
Tsuki waza - striking technique with hands. Includes:
Choku tsuki
Direct punch;
Koshi tsuki
A direct strike with a fist (or sword) from a reverse stance with a pronounced movement of the hips;
Hiki tsuki
A poke strike with a fist (or knife) with movement of the hips in the opposite direction;
Jun uchi
Reverse punch;
Hineri uti
Elbow strike with twisting of the joint;
Gyaku tsuki
Reverse chopping punch with hips rotated in the opposite direction;
Omote yoko men uchi
A side chopping blow, which is applied from the side of the partner’s face, i.e. from the inside;
Hurray youko man uchi
Reverse side slash.
Gary vase
Gary vase - kicking technique. When performing kicks, great attention must be paid to the balance position, since during a kick, only one leg is the support. And just like in punches, you need to train to put your body weight into the blow.
Mahe Gary
Direct kick;
Mawashi geri
Circular kick;
Cheers mawashi geri
Reverse round kick;
Yoko geri
Side kick;
Ushiro geri
Back kick;
Hitsui geri
Knee strike;
Hiza geri
Knee to the head after a grab.
Kata
In Aikibudo there are 3 striking kata:
Tsuki uchi no kata
Complex percussion technician hands;
Happoken kata
A set of hand striking techniques in eight directions (happo - “eight”);
Gary goho no kata
A set of kicking techniques in five directions (goho - “five directions”).
Those walkers
Those walkers are liberation from seizures. The following gripping techniques are studied in Aikibudo:
Junte dori
Grabbing the wrist from the outside with an opposite hand;
Dosokute dori
Grabbing the wrist from the inside with the same hand;
Gyakute dori
Grabbing the wrist from the inside with an opposite hand;
Ryote dori
Grabbing both wrists from the outside;
Ryote ippo dori
Grabbing the wrist with two hands;
Sode dori
Grab the sleeve above the elbow;
Ryosode dori
Grabbing the sleeves at the elbow with both hands;
Mae eri dori
Grabbing the lapel of a jacket;
Muna dori
Grabbing two lapels of a jacket with one hand;
Ushira ryote dori
Grabbing both hands from the outside (hands close);
Ushiro uwate dori
Girth over arms;
Ushiro shitate dori
Circumference under arms;
Usira eri dori
Grabbing the collar with one hand;
Ushira katate dori eri sime
Choke hold with simultaneous elbow lock of outstretched arm.
Kihon Osae Vase
Kihon osae waza is a basic control and holding technique. This section contains the basic principles of holding your opponent. Kihon osae waza is a complex of 6 basic techniques designed to knock an opponent to the floor and immobilize him by grabbing a joint, performed alternately in the form of a paired kata.
Ushiro Hiji Kudaki
“Elbow breaking”, twisting of the elbow joint;
Robuse
Elbow fracture;
Kote Kudaki
Broken wrists;
Yuki Chigae
“Cross without meeting”, forearm fracture;
Shiho Nage
Wrists broken in four directions;
Mukae Daosi
Throw back with the opponent's head turned in your direction.
Kihon nage vase
Kihon nage waza is a complex of 7 techniques of basic throws performed by partners in turn from one and the other hand strictly along a line in the form of a kata:
Mukae Daosi
“Throw with counter entry”, i.e. back with the enemy's head turned in your direction;
Shiho Nage
Throw by bending the opponent's arm backwards, simultaneously impacting the shoulder, elbow joints and brush;
Yuki Chigae
Throw using a forearm break;
Kote Gaeshi
Flip throw using a wrist;
Tembin Nage
Throw with painful impact on the elbow;
Hachi Mawashi
Throw back by turning the opponent's head in relation to his body;
Koshi Nage
Hip throw.
Wa no seishin
Wa no seishin (“divine energy”) implies the ideal interaction of partners. Here pure movement is practiced without physical force and pain. Requires enormous attention from both partners when practicing the movement.
Randori is a free fight, sparring. In the randori section, fluency in Aikibudo techniques is practiced in various situations against one or more partners, both unarmed and with weapons.
By number of partners:
Ju no Randori
"Soft randori", one against one;
Futari no Randori
One against two;
Taninzu no Randori
One against several.
According to technical design:
Buki Dori Randori and Emono Dori Randori
Randori against armed partners;
Jiyu no Radnori
Free style randori;
Futari Dori Randori
Randori from double capture (simultaneous capture by two opponents);
Go no Randori
Randori after the attack;
Ippon Dori Randori
Randori one against one opponent (from grips);
Kakari Randori
One partner attacks continuously, the other defends.
Weapon
The aikibudo program includes training in working with various types of weapons, collected under the term kobudo. Most of them are the heritage of the Katori Shinto Ryu school.
Aikibudo practice includes working with the following types of weapons:
Long sword (bokken, katana, iaito);
Short sword (kodachi, wakizashi, bo-kodachi);
-Combined use of two swords (ryoto);
-Stick (bo, tonfa);
-Dagger (tanto);
-Spear (yari);
-Halberd (naginata).
In Alan Flocke's book "Aikibudo", this name is used not only as a designation for the school, but also very narrowly - as the name of the section of the same name. There is also a widespread use of the word Aiki-jutsu as a synonym, that is, in relation also to the Daito-ryu school, but not in relation to the aikido schools (with the explanation that although the word aikibudo, in France it is often also called aikido, similar the use of the term is incorrect).
Which includes hand-to-hand combat and fencing. It was created by the Frenchman Alain Floquet in 1980. Floquet took three schools as a basis: , and . Interesting fact, that the word “aiki-budo” itself is used not only as the name of the school, but also in a narrower concept - as the name of a section of the school, and there is also a broad definition - as a synonym for the word Aiki-jutsu - that is, also applies to schools, but not in relation to schools. A little confusing, isn't it? At the same time, the French Wikipedia article also interprets this term ambiguously, relating it not only to the Floquet school, but also to.
One of the school’s activities is to expand the technical arsenal for military tasks, intelligence services and police. Aikibudo is an incredibly effective martial art. They do it without the slightest condescension towards themselves and their partners, but also without expressed cruelty. Contrary to popular belief, the term "Boo" does not mean "war" but "peacekeeping force." Ai – harmony, unification, love, compassion. Ki is the energy of life, spirit, strength. Bu - courage, bravery, belligerence. To – way, road, go. Accordingly, several translation options can be defined: “The path of harmonious unification of the military spirit and vital energy”, “Walk the military path in harmony with vital energy”, “Cultivating vital energy by combining compassion and belligerence”, “The spirit of love on the path of the warrior”, “ The spirit of compassion on the warrior's path."
Alan Flocke
The section of the school with the same name is based on and, and the section is based on, from which they borrowed (including both-handed fencing) and shuriken-jutsu. Alan Floquet himself studied with the masters: Sugino Yosho (menkyo kaiden shihan kawazaki Katori Shinto Ryu), Mochizuki Minoru (hanshi, 8-dan Shizuoka Katori Shinto Ryu, menkyo, 10th dan, meijin Yoseikan) and Takeda Munemitsu (3rd Soke and 2nd successor of Daito-ryu). These names don't just speak about the highest craftsmanship his teachers, but also about direct transmission into the traditions of these schools.
The fundamental basic technique of Aikibudo consists of the following sections:
1. Movements ( Tai Sabaki), inputs and disequilibrium.
2. Insurance ( Ukemi).
3. Attack technique - technique of punches (Tsuki Waza) and kicks (Gary Waza); strikes are studied separately and in the form of small katas.
4. Basic exercises (Hojo Undo) - breathing and energy exercises performed in pairs, correct work of the body.
5. Technique for releasing grips ( Te Walkers).
6. Throwing technique using the strength of a partner ( Wa No Seishin- divine energy; somewhat similar to Kokyu Nage in Aikido).
7. Basic throwing technique ( Kihon Nage Vase) consists of seven techniques demonstrated by partners alternately from different hands and strictly along the line - in the form of a kata.
8. Basic control and hold technique ( Kihon Osae Vase)consists of six techniques performed alternately in the form of a pair kata. The partner falls to the floor, a hold is recorded, which is performed exclusively with the legs, indicating the final blow.
9. Technique of the Daito-ryu school. Ten element pair kata Ikaze Idori. It is performed on your knees ( Suvari Waza). The first dan test program includes half (the first 5 elements) of this kata.
10. Additional equipment. Techniques Ushiro Kata Otoshi, Hurray Ude nage, “Robuse Tenkan” must be able to perform against all attacks with different forms of entry.
11. Randori. Randori in Aikibudo is any work where the attack and its technique are chosen arbitrarily. In this martial art there are different shapes Randori. But the main ones are: soft work to consolidate the forms of basic techniques ( Fu No Randori); entries and unbalances (from one, two or three attackers); real randori or simply randori(usually a small number of short techniques practiced at high speed and with concentration); work from hard grips.
12. Initial exercises with weapons according to the Katori Shinto Ryu school.
In 1983, Aikibudo merged with Aikido to form the French Federation of Aikido, Aikibudo and Analogues (F.F.A.A.A.) as a common discipline. Since then, thanks to the work of master Alan Floquet, this art has been developing all over the world and finding more and more fans everywhere. Without abandoning its roots in, Aikibudo goes beyond the usual boundaries of technical practice.
